R O S E - L Y N N   F I S H E R    
  The Topography of Tears

The Topography of Tears is a study of tears photographed through an optical microscope. I started this project in 2008, during a period of many tears, life changes, and a sudden curiosity one day as I wondered, what do tears actually look like? Do joyful tears look any different than sad tears? I set out to explore them up close, using tools of science to make art and to contemplate personal and aesthetic questions.

Years later, this series comprises a wide range of my own and others’ tears, from elation to onions, as well as sorrow, frustration, rejection, resolution, laughing, yawning, birth and rebirth, and many more.

The random compositions I find in magnified tears often evoke a sense of place, like aerial views of emotional terrain. Although the empirical nature of tears is a composition of water, proteins, minerals, hormones, antibodies and enzymes, the topography of tears is a momentary landscape, transient as the fingerprint of someone in a dream. This series is like an ephemeral atlas.

Roaming microscopic vistas, I marvel at the visual similarities between micro and macro realms, how the patterning of nature seems so consistent, regardless of scale. Patterns of erosion etched into earth over millions of years may look quite similar to the branched crystalline patterns of an evaporated tear that took less than a minute to occur.

Tears are the medium of our most primal language in moments as unrelenting as death, as basic as hunger, and as complex as a rite of passage. They are the evidence of our inner life overflowing its boundaries, spilling over into consciousness. Wordless and spontaneous, they release us to the possibility of realignment, reunion, catharsis: shedding tears, shedding old skin. A transitory moment can be personally revolutionary, a turning point. It’s as though each one of our tears carries a microcosm of the collective human experience, like one drop of an ocean.

These images of tears are reflections of their chemical composition; yet what is it that accounts for all their visual differences? The questions that initiated my project require a level of scientific research that will be vast and very complicated to achieve in order to one day be answerable. While my early questions remain questions, they are what set me forth on an intriguing quest. The question launches the journey. I'm an artist not a scientist, and rather than expecting to arrive at concrete conclusions, my exploration of tears has led me deeper into the intangible poetry of life.

© Rose-Lynn Fisher 2013-2018
all rights reserved


Bellevue Literary Press

Craig Krull Gallery


Links to Selected Press
Online, Print & Blogs:


DARQUER Dentelle de Calais

Elizabeth Avedon Journal

GUP Magazine (NL)

Revue Feuilleton (France)

Los Angeles Review of Books

Brain Pickings

Yorokobu (Spain)

Boston Globe


Feature Shoot


B+W Photography (UK)

Amateur Photographer (UK)

British Cinematographer (UK)


The New Yorker

Smithsonian Magazine

Harper's Magazine

Zeit Wissen Magazine (Germany)

Southwest the Magazine

Big Think

BBC Taster (online)

TiP - Balmond Studio (UK)

Sabato (Belgium)

Culturebox - FranceTV Info

Madame Le Figaro (France)

Die Welt (Germany)

Polka Magazine (France)

PBS Nova Next Week

Observatoire de L'Art Contemporain (France)


De Gids (Netherlands)

Delo (Slovenia)

El Mundo (Spain)

Psychologie Heute (Germany)

Balthazare Magazine (France)

Fantastic Man (NL/UK)


Studio 360

De Redactie (Belgium)

Crikey (Australia)

Men's Health (Australia)

In Vivo Magazine (Switzerland)

Esquire, Russia

Design Observer


The Guardian (UK)

The Telegraph (UK)

Metro World News

Metro News Puerto Rico

Metro Nieuws (NL)

YLE News (Finland)

Garbo (Romania)

O Globo (Brazil)

Psychologies Magazine (France)

TIME for Kids

Popcorn (France)

Tout Comprendre (France)

National Geographic Kids:
Weird But True

Illustreret Videnskab /Science Illustrated (Scandinavia)

Medical Daily

Ignite Channel

The Paris Review

Milano Free (Italy)

Galileo (Italy)

Caffeinamagazine (Italy)

Spaghetti Mag. (Italy)

Artinfinit (Moldova)


PBS Nova blog

MSNBC Maddow blog/Geek

Popular Science blog

Scientific American blog

The Daily Meal

Times of Malta



Lost at E Minor



Design Catwalk

La boite verte (France)

Linkiesta (Italy)

Lifo (Greece)

20 Minutos (Spain)

ABC (Spain)

Dan Tri (Vietnam)

La Nacion (Argentina)

YCWB (China)

The Good Men Project



Kindred Subjects

John Culbert - Geometry of tears

La/crime/ndays, a book of poetry by Giovanna Iorio




Now a book! published by
Bellevue Literary Press link

What it meant long after a time forgotten © 2013 Rose-Lynn Fisher

The irrefutable © 2013 Rose-Lynn Fisher

Ending and beginning © 2013 Rose-Lynn Fisher

After the sun came the tears © 2016 Rose-Lynn Fisher

In commemoration: Charlotte Salomon © 2015 Rose-Lynn Fisher

Timeless reunion (in an expanding field) © 2013 Rose-Lynn Fisher

Overwhelm © 2015 Rose-Lynn Fisher

Tears for those who yearn for liberation © 2013 Rose-Lynn Fisher

Redemption © 2015 Rose-Lynn Fisher

Compassion © 2016 Rose-Lynn Fisher

Momentum redirected © 2013 Rose-Lynn Fisher

Tears of elation at a liminal moment © 2013 Rose-Lynn Fisher

If you're interested in receiving future notifications please email me at: topographyoftears@gmail.com

Many thanks and best wishes from Rose-Lynn!